![]() The song is purest 1957, right down to the downright peculiar falsetto work by James, and sparks fly when during the song, Donna notices the intensity of the interactions between Maddy and James and leaves the room. Those who stuck with the TV series through its second season were rewarded with one of the show’s most indelible and controversial moments in the second episode (titled “Coma”) when James Hurley (James Marshall) and two young women he’s involved with, Donna Hayward (Lara Flynn Boyle) and Maddy Ferguson (Sheryl Lee, who also played the iconic Laura Palmer), convene in the Haywards’ living room to “work on” a new song. His brilliant, moody theme music for Twin Peaks catapulted him into public recognition, although it was actually Lynch himself who composed one of the most controversial musical pieces in the director’s oeuvre, ironically the one bit of music that may have made some fans curse Badalamenti-I refer to the creepy, doomy music heard in the lengthy “Pink Room” scene in Fire Walk With Me (which was unfortunately rendered well-nigh incomprehensible because the music drowned out the dialogue). David Lynch has always had an ear for an arresting tune-indeed, they feature in just about all of his most appreciated works-think of “ In Heaven (Lady in the Radiator Song)” in Eraserhead, “ Blue Velvet” and “ In Dreams” in Blue Velvet, the Spanish version of Roy Orbison’s “ Crying” in Mulholland Drive, and so on.Īngelo Badalamenti has been Lynch’s music collaborator ever since Blue Velvet.
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